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dc.contributor.authorCurrie, Christina
dc.contributor.editorWest FitzHugh, Elisabeth
dc.coverage.spatialUSAen_US
dc.coverage.temporal19th centuryen_US
dc.date1995
dc.date.accessioned2021-03-11T13:35:21Z
dc.date.available2021-03-11T13:35:21Z
dc.identifier.citationCurrie 1995en_US
dc.identifier.issn0197-1360
dc.identifier.urihttps://orfeo.kbr.be/handle/internal/7738
dc.descriptionMany American portraitists chose to use textured panels for portraits in the first half of the 19th century. The author examined eight 19th-century portraits on panel in the collection of the Cleveland Museum of Art dating from between ca. 1810 and ca. 1832 and produced by the following artists: Gilbert Stuart, Wesley Jarvis, James Frothingham, Matthew Harris Jouett, Samuel Lovett Waldo, and the partnership of Waldo and William Jewett. The author relates the results of her technical analyses of these portraits and then focuses more closely on the panels of Gilbert Stuart, including those found in other collections.en_US
dc.languageengen_US
dc.publisherAmerican Institute for Conservation of Historic and Artistic Worksen_US
dc.relation.ispartofseriesJournal of the American Institute for Conservationen_US
dc.titleNineteenth Century Portraits on Scored Panels in the Cleveland Museum of Arten_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freePanel painting, American ninetheenth-century portraits, Scored panelsen_US
dc.source.volume34en_US
dc.source.issueSpring 1995, Number 1en_US
dc.source.page69-75en_US
Orfeo.peerreviewedYesen_US
dc.source.editorChandra L. Reedyen_US


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