Dear user, changes will soon be made to Orfeo. We will undertake the migration to a new version, another environment (and therefore a new URL: https://orfeo.belnet.be/) and another provider. Belnet will take over the management of Orfeo in the future. For you, this means that no changes, modifications or uploads can be made to the database Orfeo from the 1st of December 2021 to the 10th of December 2021. The database remains available for consultation. From the 10th of December 2021 onwards, you can reach Orfeo via the new url https://orfeo.belenet.be/. Our apologies for the inconvenience.

Show simple item record

dc.contributor.authorDubois, Hélène
dc.contributor.authorVanderkerchove, Veronique
dc.contributor.authorCurrie, Christina
dc.contributor.editorCampbell, Lorne
dc.contributor.editorVan der Stock, Jan
dc.contributor.editorReynolds, Catherine
dc.contributor.editorWatteeuw, Lieve
dc.date2012
dc.date.accessioned2021-06-03T16:49:27Z
dc.date.available2021-06-03T16:49:27Z
dc.identifier.citationHélène Dubois, Christina Currie & Veronique Vanderkerchove, "The ‘Edelheere Tryptyque’ : the Earliest Copy of Rogier van der Weyden’s Descent from the Cross’ : history, examination and conservation treatment", in : Rogier Van der Weyden in context, eds L. Campbell, J. Van der Stock, C. Reynolds & L. Watteeuw, (Leuven, 2012), pp. 194-205.en_US
dc.identifier.isbn978-90-429-2692-9
dc.identifier.urihttps://orfeo.kbr.be/handle/internal/7852
dc.descriptionPapers presented at the 17th Symposium for the Study of Underdrawing and Technology in Painting, held in Leuven on 22-24 October 2009. The earliest known copy (1443) of Van der Weyden's masterpiece was extensively studied in preparation for an exhibition at the Museum M in Leuven. It underwent conservation treatment at the Royal Institute for Cultural Heritage in Brussels, leaving Saint Peter's at Leuven for the first time since 1960. The study involved an art historical assessment and full technical examination of the triptych, whose authorship is still elusive. The paper discusses several art historical and technical issues, such as its unity of style and technique and its relationship to the prototype.en_US
dc.languageengen_US
dc.publisherPeeters, Leuvenen_US
dc.relation.ispartofseriesUnderdrawing and Technology in Paintingen_US
dc.titleThe ‘Edelheere Tryptyque’: the Earliest Copy of Rogier van der Weyden’s Descent from the Cross’. History, Examination and Conservation Treatmenten_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.audienceGeneral Publicen_US
dc.subject.freeRogier van der Weydenen_US
dc.subject.freeEdelheere Triptychen_US
dc.source.titleRogier Van der Weyden in Context. Papers presented at the Seventeenth Symposium for the Study of Underdrawing and Technology in Painting held in Leuven, 22-24 October 2009en_US
dc.source.volumeXVIIen_US
dc.source.page194-205en_US
dc.relation.projecthttp://balat.kikirpa.be/object/67576en_US
Orfeo.peerreviewedNoen_US
dc.source.editorLorne Campbell, Jan Van der Stock, Catherine Reynolds and Lieve Watteeuwen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record